Friday, June 19, 2009

i've got [LGBT] issues.

i know the whole marriage thing is a big deal, but, in terms of my own life, it's also a pretty lofty goal.

i mean, lemme find a way to the altar first.

as of now, prospects are dim in that department for me, as i'm still very much dealing with some of the more immediate and somewhat traumatic, albeit smaller aspects of the gay agenda.

as such, i've compiled a list of just such aspects in an effort to call attention to certain things that don't get enough airplay when people talk about "LGBT Issues":

  1. Ambiguity
    i've been teased and doubted quite a bit since coming out for being less than flamboyant.

    no, i don't rock the flannel or appreciate female facial hair with as much gusto or negligiance as some lesbians. blame the fact that, growing up, i was the only lesbian i knew of apart from Ellen (who i couldn't even
    really idolize because i feared that if my mom caught me just watching her show i'd be outed).

    basically, i have no clue how to "act" like a lesbian, and, in all honesty, i'm pretty sure that kind of thing shouldn't matter.

    i've been called an "Ally" more times in my life than i care to remember, and can only put at least some of the blame for my current spinster state on my alleged ambiguity.

    and the fact that i tend to only get hit on by scary butch lesbians.

    who, unfortunately, aren't really my type.

    but life would be so much easier if they were.

    in all honesty, i have no clue how to behave normally, let alone appropriately lesbian. but i will say that i'm waiting, impatiently, for the day when none of that will matter.

    when i can openly express my love for things like
    My Fair Lady and Pride and Prejudice and maintain that i am still very much a big spoon.

  2. Fashion
    i guess this one ties in with the whole ambiguity thing, but it doesn't hurt to point it out a bit.

    i just don't know how to dress myself.

    when most people picture lesbians, i think they tend to envision either totally hipster types, or totally butch types.

    with my lack of fashion sense and masculinity, i don't fit into either category.

    i tend to think that my nerdiness takes precedence over my lesbianism, for whatever reason.

    believe it or not, whenever i enter a social situation my first thought isn't, "Look at all these hott chicks!" - it's actually more along the lines of, "Hot DAMN I wish I wasn't such a weenie."

    and my clothes, i think, go along with this: i throw on whatever's practical and comfortable because, honestly, i have to focus more on survival than attraction.

    and it isn't until later that i wish i'd bought that shirt my sister recommended, or had better boobs, or cuter jeans, or an ounce of swagger.

    which brings me to my next point:

  3. Swagger
    i don't even know what this is. i mean, i know what this means, and i certainly tend to be drawn towards people of a certain swagger, but i don't know how to go about getting it for myself.

    i get the sneaking suspicion that this is something people're more or less born with.

    and most people of the LGBT community, from what i've observed, have a certain 'tude that they always seem to know how to use to their advantage.

    any and all visible LGBT individuals - at least, the ones on TV and in the movies - are more or less comfortable in their own skin and fit the identity to a T.

    last week during improv workshop, i was told that i gravitate towards awkward characters and that i should learn to harness my inherent awkwardness.

    up until that evening, i was under the impression that i didn't have a swagger - awkward or otherwise.

    as such, i've resolved to make it my mission to understand and harness this awkwardness and maybe put forward a new kind of awkward, LGBT swagger.

    cuz, honestly, i don't know how to go about doing the confident one.

  4. Hobbies
    i'm a terrible guitarist. when i picked up the guitar about a year ago, determined to fulfill a lifelong dream of mine, my sister Olivia pleaded that i don't become "one of those lesbians."

    really, she had nothing to worry about. my clumsy hands are enough to prevent me from forming a lesbian folk-singing power duo.

    and i can't sing.

    and i'm not emo.

    just self-deprecating.

    moreover, i can't completely give up meat, and i can't really understand people who can.

    it's the Korean and Dominican in me.

    don't take away my bulgogi and kalbi and pastelitos and pork.

    granted, i've become more or less "Pescatarian" as of late, but sometimes i can't help but slip up.

    consider my efforts to eat
    less meat enough to satisfy this particular effort (even though i still feel slightly inadequate).

    and i can't tell the difference between Monet and Manet - i'm somewhat culturally deficient.

    i mean, i enjoy museum excursions and seeing all of the artwork and everything and appreciating, simply, the beauty of and effort put into everything, but the minute you ask me to recite, in detail, the aesthetic and cultural implications and contributions of everything we've just seen, you'll probably end up drawing a blank stare or an uncomfortable giggle.

    but i can quote entire verses from George Carlin's routines, and recount my favorite parts of Chaplin films.

    i can nerdily and unabashedly make
    Harry Potter and Star Wars references and make/blurt out the puns everyone else is too cool to point out.

    i said once before that a secret turn-on for me is love for Jimmy Stewart, and i've really yet to find someone who fulfills this particular irrational request.

    it makes me wonder if i should hold out for someone who could potentially enjoy or embody these kinds of things, or if i should throw in the towel and conform.

    there's a lot of pressure out there for someone as clueless as i am.

  5. Unrequited Love
    this is probably my biggest beef with being both gay and human.

    let me tell you: straight crushes are BS.

    not the kind of BS that gets picked up occasionally by street cleaners or park rangers, but the kind that NEVER GOES AWAY.


    it drops, festers, stinks up the whole damned place, and multiplies every time you try to sweep it under the rug or toss it away or hose it down.

    the more you try to convince yourself that it's not something worth thinking about because of the unlikelihood of the desired outcome, the more you end up torturing yourself with incessant brooding over the fact that its resolution is so unlikely.

    especially if you're in the closet and at the inevitably and irrevocably awkward and confusing stage of adolescence - when nothing seems to make any sense anyhow.


    someone asked me recently if i've ever been in love. my immediate answer was a bitter, "No," but, later that night, i got to thinking:

    if unrequited love counts as "being in love," then, in fact, i have. and the fact that i hadn't thought of it earlier surprised me, because this one phase of my life which wound up shaking me to my very core and eventually forced me to confront my sexuality head-on was one that i never thought i'd forget or doubt.

    it was the kind of thing, though, that, in my memory, i denied as being "love," for the simple fact that even just the phrases "attracted to" and "liked" were enough to cause unwarranted pain and suffering.

    (thank God i'm out.)

    so i started to reminisce about this one person i knew and "liked," and really sat down to understand the nature of the "like":

    the way i "liked" making her laugh more than anyone else because of how great and lovely her smile and laugh were;

    the way even her coldest and bluntest comments could make me laugh;

    how unassuming she was about her prettiness, strength, and wit -

    all of which she had in excess.

    and all of which made me reconsider the previous decade or so of my life when i could easily write off any attraction i had to other girls as misunderstood and overestimated "friend feelings."

    because, i suppose, it ran deeper than that.

    i couldn't stop thinking about her or the whole predicament altogether.

    it hurt to see her, and it hurt to miss her.

    and it hurt to know that she could never know about any of it because there was no possible way that it could make a difference.

    and nobody could know.

    and it was disarming.

    and it was this part of the whole thing that made me question my own partaking of the love pie.

    that what makes love, love isn't the possibility of its reciprocation, but the sheer fact that you can sit and appreciate something, or someone, for everything they're worth.

    even if the other person isn't aware of it.

    knowing that you potentially see something that nobody else sees.

    that being said, being gay and clueless amidst a sea of predominantly hetero femme women isn't exactly the ideal circumstance someone in my bitterly single state wants to find herself.

    as much as i enjoy the idea of seeing quiet beauty that no one else really sees, i think i'd like the idea of telling this beautiful person about it all directly and often much better.

    it's why i came out of the closet, so that someday i could go around and be as openly sappy as i want.

    and yet, though my chances of finding someone to be sappy with have increased drastically, i still find myself in a new closet.

    the kind where i find myself either attracted to a straight girl or to someone who's way out of my league.

    leagues that're predetermined by Ambiguity, Swagger, Hobbies, and Fashion.

    but i suppose what i'm trying to say is that unrequited love doesn't discriminate against any one group.

    and the world would be a much better place if everyone was bi.

    and a little bit nerdy.

Monday, June 15, 2009

a big midsummer morning's update/catch-up, or i wish i was straight

i thought this summer was done in terms of new developments, but, clearly, i was wrong.

quick summary:

1. improv started up again, and i found out last week that, if i complete all 3 levels/classes at Comedysportz, there's a good chance that i'll be admitted into the Rec League and perform regularly. someday, i might even audition for other shows at the theatre.

2. i got accepted into the Cinema-Television Critical Studies program at USC's film school. at first, i thought that i wouldn't get in in the first place. after a little while, once i declared in Narrative Studies, i figured i'd turn down the offer of admission just to keep things simple and because, in some ways, the 2 majors overlapped. but now i figure, hey, i got into USC film school. i'm sticking with it. i'm hoping it'll help me with networking and whatnot, and if i focus on film in the CTCS program, i can focus more on theatre in the NS program.

3. i'm actually giving thought to grad school.

crazy, i know.

especially as, ages ago, i vowed never to stay in school longer than i have to.

but i figure now, as i have no real, concrete, stable career plans for the future, the best option would be to stall for as long as possible.

so, the list of top choices includes (in no particular order):
Northwestern University
NYU
Columbia University
UVA
USC
UCLA
U. Penn
Oxford University
Cambridge University

the last two are as unattainable, probably, as they are pretentious. but i figure, what the heck. might as well see.

plus, i'm pretty sure i want to live in the UK for at least a little bit at one point in my life.

4. i've resolved to not pine for anyone, and not make it my mission to find someone this year. i'll just let the chips fall where they may.

screw unrequited love.

bleh.

gay stuff:

i've been to a number of different gay-related marches and rallies.

i've never felt so blissfully gay in all my life. and i'm learning a lot:

  • the only single lesbians are unbelievably butch and scary.
  • the only femme lesbians are either taken by an unbelievably butch lesbian, or another femme, or is too good for me.
  • i don't know if i'm butch or femme.
  • i've been told that i'm much more femme than i think.
  • bah.
  • my gaydar only seems to work on men.
  • that or men are just that much easier to detect.
  • only the coolest straight people are allies.
  • and break my heart.
  • homos like to march.
  • and chant.
  • and rant.
  • and dance.
  • and paint their boobs.
and i'm pretty sure there's still tons more to learn about this whole culture, which is why i'm a little excited and nervous for the upcoming year, when one of my roles in the USC LGBT community is to lead discussions on LGBT issues.

homesickness:

all in all, this summer's going pretty well, apart from the homesickness.

my cousin Jack just graduated from high school and i had to miss the ceremony because i'm all the way across the country.

you never really realize how far away from home you are until something makes you wish you could click your heels and teleport.

that and the whole film school acceptance thing is the kind of thing i wanted to share with my family.

but oh well...there'll be other summers, i suppose.

i just wish i could've been there for Jack.

and all of my friends, especially as a couple of them seem to be going through a lot. i hate not being there for them.

but i suppose that's the biggest thing about growing up and being an adult, at last.

learning and fighting to stay in touch, surviving on your own, clinging on to family.

i honestly can't believe how old we're all getting.

i had a heart attack when i found out that a kid i'd known since middle school had gotten married and had a baby.

and another is engaged.

and another passed away.

it's crazy how much can happen in what feels like a small space of time.

but it's also weird to think that, with 365 days in the year, meaning 525600 minutes (thanks, Rent), we don't anticipate so many opportunities for change.

sappy, as always.

on that note, the meat and potatoes:

i don't like to think of myself as the kind who needs someone.

i read somewhere that children who grow up in homes where affection and positive co-dependency grow up with a healthy attitude towards relationships and open affection. in other words, kids who see their parents relate to each other in positive ways will grow up and relate to their own partner in positive ways.

let's just say that i didn't get a lot of that growing up.

and the consequences of this more distanced upbringing has become increasingly evident these past few months as my sisters and i - according to just about all of my friends - are finding ourselves facing much of the same issues in our love lives.

er, my theoretical love life. as, technically it's there, but, really, it's not because nothing's actually happening.

first, we don't know how to "read the signs." if someone's flirting with us, we just can't tell. i'm pretty sure this has something to do with the fact that none of us really sees herself worthy of that kind of attention.

who the heck would flirt with me, really?

crazy.

second, we don't know how to act on our feelings. for the most part, i sit and pine and suffer.

in other words, we're all a little bit timid.

...a lot timid.

sometimes i wish i could just get obnoxiously drunk and drunk dial the person i like. just for the sake of putting it all out there and getting it over with.

and, potentially, forgetting about it in the morning.

otherwise, i feel like i'm going to end up sitting in my lonely, empty apartment, pining away for girl after girl after girl.

suffering for my "art."

...of comedy.

i mean, i know that people find confidence and courage way more attractive than timidness and self-deprecation, but i can't help it.

i wish i could go back to my middle school days when i had the cojones to demand things rather than shyly ask for them.

when i strolled up to my now ex-boyfriend and told him to be my boyfriend because i knew he liked me.

seriously. where the heck has that kind of confidence gone?

i guess dealing with girls is a different issue, as now it could potentially "mean something."

and girls are ridiculously confusing and all about those implicit schemes and charms and whatever.

all of which i lack.

but, hot damn, i wish i was straight sometimes.

it would make so many things easier:
  • sex. none of that confusing canoodling business.
  • flirting, as men are easier to please and way more straightforward.
  • ...and what else would one need?
it's actually really unfortunate that i'm a lesbian.

you'd think i'd be alright at dealing with women because i'm one, myself.

but, apparently, the unfortunate combination of God and my genes and upbringing ultimately denied me most of the necessary and typical female decoding skills.

FML.

but i suppose it's about time i try to turn a brighter leaf.

just be myself and be okay with the fact that all this means is that someday, that special someone's going to see past all of the timidness and break through all of the stupid walls i've inadvertently built up and stubbornly refuse to tear down too easily.

or be so forward that i really have no choice but to go along with it.

at least i'll be with someone.

all's i knows is, i'm tired of pining. and i'm tired of not feeling good enough for anyone.

it's about time i stop trying so hard and let the ladies come to me.

(PLEASE come to me!)


Friday, May 22, 2009

TGIS[ummer] and the chance to read for fun

comedy classes done till June, work not starting till Tuesday, no homework, no worries.

i went out today after a morning swim and bike ride and bought 65 bucks worth of books in celebration.

one book was Pablo Neruda's Los versos del Capitán - a collection of love poems he wrote while in exile with his lover, Matilde Urrutia.

the sap in me has always wished that i'd be able to write or explain certain feelings through words, or be with someone who can woo me through poetry.

gross, i know.

but the heart wants what it wants.

on top of that, i think i mentioned earlier in this blog that one of the biggest turn-ons for me is a great laugh. i could never explain why, but occasionally i'll come across someone i enjoy making/hearing laugh more than anyone else.

something about the warmth in their laughter that's genuine and reaches out and grabs me and spreads to every part of my body.

Pablo Neruda pretty much summed it up:

TU RISA

Quítame el pan, si quieres,
quítame el aire, pero
no me quites tu risa.

No me quites la rosa,
la lanza que desgranas,
el agua que de pronto
estalla en tu alegría,
la repentina ola
de plata que te nace.

Mi lucha es dura y vuelvo
con los ojos cansados
a veces de haber visto
la tierra que no cambia,
pero al entrar tu risa
sube al cielo buscándome
y abre para mi todas
las puertas de la vida.

Amor mío, en la hora
más oscura desgrana
tu risa, y si de pronto
ves que mi sangre mancha
las piedras de la calle,
ríe, porque tu risa
será para mis manos
como una espada fresca.

Junto al mar en otoño,
tu risa debe alzar
su cascada de espuma,
y en primavera, amor,
quiero tu risa como
la flor que yo esperaba,
la flor azul, la rosa
de mi patria sonora.

Ríete de la noche,
del día, de la luna,
ríete de las calles
torcidas de la isla,
ríete de este torpe
muchacho que te quiere,
pero cuando yo abro
los ojos y los cierro,
cuando mis pasos van,
cuando vuelven mis pasos,
niégame el pan, el aire,
la luz, la primavera,
pero tu risa nunca
porque me moriría.

and in English (although it hardly does the original justice):

YOUR LAUGHTER

Take bread away from me, if you wish,
take air away, but
do not take from me your laughter.

Do not take away the rose,
the lance flower that you pluck,
the water that suddenly
bursts forth in joy,
the sudden wave
of silver born in you.

My struggle is harsh and I come back
with eyes tired
at times from having seen
the unchanging earth,
but when your laughter enters
it rises to the sky seeking me
and it opens for me all
the doors of life.

My love, in the darkest
hour your laughter
opens, and if suddenly
you see my blood staining
the stones of the street,
laugh, because your laughter
will be for my hands
like a fresh sword.

Next to the sea in the autumn,
your laughter must raise
its foamy cascade,
and in the spring, love,
I want your laughter like
the flower I was waiting for,
the blue flower, the rose
of my echoing country.

Laugh at the night,
at the day, at the moon,
laugh at the twisted
streets of the island,
laugh at this clumsy
boy who loves you,
but when I open
my eyes and close them,
when my steps go,
when my steps return,
deny me bread, air,
light, spring,
but never your laughter
for I would die.


so cheesy. but so good.

i think i'm in dire need of a little spoon.

just so i can have an outlet for all of this and not post lovey-dovey poetry on my blog.

seriously, though.

still looking for that cucharita.

FML.


Tuesday, May 5, 2009

are you there Jeebus? it's me, Vickie

Dear Jeebus,

Last night I managed to overcome my fear and overall ignorance of the LA public transportation system and actually make it to the improv workshop I'd recently been asking you about.

As I was desperately praying immediately beforehand, I'm sure you're well aware of just how terrified I was when I discovered that I somehow made it to the theatre (as I was secretly hoping that I'd screwed up again so as to avoid any humiliation or realization of the folly that would be my pursuing comedy).

When I got there, my fear didn't subside much. The first couple of people I met were both middle-aged men, one of whom had background as an actor and stuntman, while the other was big, tall, and made up for his lack of hair with charisma.

They both asked me what my background in improv or theatre was, after informing me that 6 of the 9 people in the workshop were "theatre people," and when I told them that I'd none - not even a bit part as a rock in a school play - they immediately opened up in fatherly ways and recapped what I'd missed in the previous class (which I had missed due to my geographically challengedness).

They told me about the teacher and how energetic and funny she was, about the experience of the other students, about the games they played and how they'd already forged bonds. Even in their attempts to put me at ease, I couldn't help but feel that maybe I was too far behind to catch up.

When the teacher arrived, she immediately knew who I was as, apparently, the same woman who recommended me for the workshop informed her of my mishap and she was therefore expecting me.

She's warm and bubbly, speaking a mile a minute, but never too fast to miss out on your replies.

When we got onto the stage and started warming up, we started playing improv games that involved making weird noises and blurting random things out.

It was fun.

I was still in a very self-conscious state and found it a little difficult to completely open up, but, upon seeing a couple of other students who were battling with the same issue, I felt slightly heartened.

When we did the walking exercise - where the teacher would call out a characteristic, either physical or figurative and we would alter our walk accordingly - and I saw how silly everyone else looked, I felt slightly more comfortable with the idea of looking stupid, myself. I got into it. Maybe a little too into it, but I was starting to have fun.

We kept playing a number of different character-development games, learning how to develop them according to physicality and everything. It was a lot to learn, but, learning it through the vein of comedy, I found, made it easier to swallow.

The first real "game" we played was one called Hitchhiker. The premise of this game is that there are 4 seats set up on stage, like car seats (so 2 rows of 2), and the car starts out with one occupant, the driver, who takes on a specific kind of character original to the performer. Another performer, when they feel the time is right, pretends to hitchhike and the driver pulls over to let them in. The new passenger takes on a completely different character - hopefully one that is close to being the opposite of that of the driver - and the driver, in turn, evolves and adopts the new character. Another hitchhiker of a different character joins and the previous 2 passengers take on the new character and cycle through the seats, so that the driver is now sitting in the backseat behind the driver's seat while the second passenger becomes the driver. And the same goes for the 3rd hitchhiker.

Once sufficient time has passed for the 3rd hitchhiker, the hitchhikers begin to cycle out, with the same character development/adoption going on with whoever was in the shotgun seat.

I was afraid, and figured it'd be best to try to be part of the first group, but every time I tried to stand up, entire groups of 4 would fly to the stage and leave me in the crowd. So I was left with going in the last group.

I was terrified, but decided that the best way to get over it would be to be the original driver.

I didn't know what I was going to do, and a rush that was both exhilarating and terrifying overcame me. So I went with the first thing that came to me, and somehow a character came out.

"UUUUGGGHHHHHH!" I growled, "I HATE driving! GRRRR UGGHHHH"

...and the audience laughed.

...and it felt good.

The first hitchhiker still wasn't taking the initiative to stick out his thumb.

So I kept going with it.

"UGGGHHHH! DRIIIIVIIIING!" and people were still laughing, "FUUUUCK MY LIIIIIIIIIIIFE!"

And, finally, the first hitchhiker stuck out his thumb.

"UUGGGHHH! HITCHHIIIKERS! BAAAAHHHHH! I HATE HITCHHIKERS!!!"

I got more laughs.

And the other student hopped in, taking on a very uptight, OCD insurance salesman role.

And we went with it. It was easy.

I immediately sat up straighter in my chair and stuck my knees together, keeping my hands at 10 and 2 on the steering wheel.

We talked a bit about the dangers of hitchhiking and driving altogether. We let out uncomfortable laughs. And the second hitchhiker joined, so I took a seat in the back.

This hitchhiker decided to take on a haughty air, and the first hitchhiker and myself took it on immediately.

The people in the front seat started bickering passive aggressively about how slowly the driver was driving.

I would occasionally throw in a random comment to sporadic laughs from the crowd.

And, after a particularly cutting remark, I put my hand up to my laugh and let out a snooty, "Ha-ha-ha-ha-ha," which caused laughing from the audience that was so loud that we had to stop the scene for a moment before we could carry on.

The fourth hitchhiker came in and, very self-consciously, began primping herself in the mirror. After a little bit, we realized she was also a druggie. After asking what was in the box at the front of the car, the driver turned to her and blurted out, "Crayons!" and the rest of us ran with it, pretending that crayons was the nickname for a new drug.

So while the 2 people up front were discussing drugs, the other hitchhiker and myself, in the back, started pretending to shoot up and get crazy making random noises.

When the final hitchhiker got out - after a few more funnier character development scenes - I returned to the original melodramatic character.

"Thank GAAAAAWD!" I growled.

Afterward, according to our teacher, it was like watching an actual scene. She complimented me on my character evolution and the haughty laugh, as well as how well I worked with the first hitchhiker who joined me in the car.

And a fellow student complimented me on my growl.

I was starting to feel pretty good.

Another game we played a little while later - that is, after a few other warm-up and practice games - was called Interview. In this game, 2 seats are set up on stage: the person in the right seat is the interviewer, of a milder character, while the person on the left takes on whatever persona that pertains to whatever topic the teacher shouts out.

Again, I was nervous.

When it was my turn - and, again, I was among the last - the teacher gave me "Vaudeville."

So I did my best jazz hands all the way up to the seat.

The interviewer asked me about what I did, and I started talking in a weird accent with a tone you might hear on a muffled record from the early 1900s, going on about the "rich history" of vaudeville before realizing that I know nothing about vaudeville.

So, at the request of the interviewer, I got up and demonstrated, doing a weird tapdance shuffle, with lots of jazz hands.

The audience was laughing again.

I was feeling even better.

After the game was over, the teacher pointed me out and said that that she almost peed herself from my performance and that she loved how my confidence on stage with doing the most ridiculous dance ever did a good job of giving the audience the confidence to laugh and be a part of the performance.

I got applauded.

I can't help but say that I'd never felt so good about myself.

Numerous games and performances, when class was coming to an end, a few people, my teacher included, asked me what my background in theatre was.

"None," I told them.

"None?!" they replied, "Not even in high school or anything? And you're not studying theatre in college?"

"No..."

The teacher told me I was a natural, and she and another student said that it was crazy seeing "the new kid come in and raise the bar."

I know that all of this might sound like shameless gloating and everything, but when you've gone through nearly 2 decades of your life hopelessly wishing you had the courage and the talent to be one of the people you see on stage in those unbelievable improv or comedy performances, knowing that there was no way you'd ever be able to do something like that, and thinking that you have no idea what you'd otherwise want to do with your life, hearing someone give you that kind of encouragement in something you're really passionate about really means a lot.

Somehow - and I know it might be a bit premature to say something like this - I feel like I've found something I could really be a part of.

I really enjoyed it.

The environment.

The people.

The very nature of the whole thing.

I want to be a part of it.

I may have found my calling.

And I can't wait till next week.

So, needless to say, Jeebus, I think I owe you a lot.

Thank you for letting me have so much fun.

Thank you for letting me be around such warm and open people.

Thank you for helping me be okay with making mistakes.

Thank you for giving me a call.

Vickie


Tuesday, April 28, 2009

april powers bring may flowers

so, according to my sisters, my dad's been going on about how much i've "blossomed" this year.

personally, it's pretty tough to gauge how much change has happened.

so, after a recent dramatic event/discussion with my suite-mates - who suggested i take a look back and re-evaluate just how much i've changed this year so as to come to terms with the possibility that "not all change is good" - i've decided to do just that.

first, a look at freshman year:
1. i was unhappy with my self-image. upon gaining an insane amount of weight the previous two years (following a diagnosis of Depression, etc.), i had little to like about myself - both inside and out.
2. i was a total hermit. the only person i really ever talked to was my roommate (who i still absolutely adore).
3. i wasn't part of any of the communities on campus and, therefore, felt completely detached and unhappy. i was lonely.
4. i didn't know what to do with my life. i was lost, confused, and helpless. i felt useless and isolated. i was a waste of space.

in fact, freshman year, my depression and loneliness hit such a low point that i seriously considered transferring (or worse). i wasn't happy with myself, my situation, and my homesickness was a burgeoning incurable disease.

and now a look at this past year:
1. i have so many unbelievable friends, and i've met (and am still meeting) really interesting people. i actually have a social life, but, more than that, i have a second family.
2. i'm totally involved and in love with a community. so much so that i've taken on a couple of leadership roles for a couple of the organizations i really enjoyed this year.
3. i feel like i'm part of an exciting movement.
4. i'm taking an active role in pursuing dreams that i used to think were out of reach because i was too chicken. actually, i managed to persuade my parents to let me stay in LA for the summer so i can suck it up and do some improv comedy workshops.
5. i'm feeling much more inspired, and have consequently started writing more. not well, but still something.
6. i've decided on a major - Narrative Studies - and have every intention of actually following through with a lot of things that i've put on either the backburner or a pedestal.
7. i finally feel worthwhile. er, at least, a little more wortwhile than before.

so, suite-mates, i'd just like to say that i'm quite happy with the changes that've taken place this past year. i may have made a few mistakes, but i've learned from them. i'm human. and the fact that i choose not to stay cooped up in my room all day (anymore) doesn't mean that i've taken a turn for the worse.

i finally feel like i'm coming into my own and, for lack of a better analogy, and to continue the overall sappiness of this post, i'm "blossoming."

it's been a big month.

in all honesty, i'm not sure if pursuing a career in comedy - in any form - is promising, but i know that if i don't try, it could be something i regret for the rest of my life.

and i'm excited about coordinating uRap and OutReach (co-coordinating this one), albeit a little nervous, because it feels like holding these positions is a culmination several shell-shattering acts and events. it'll be a challenge, going from being nobody to being someone in charge, but it'll definitely be a huge learning experience.

and all of this is important. i used to complain and whine about being single and everything, but, now that i know what it's like to be myself, and now that i've been able to look back at who i was, i think i finally know what they mean when they say that the only way you can really be with someone else is if you're comfortable with being with yourself first.

and i think i'm finally coming into that position.

i'm happy.

(also, i'm more than aware of the cheesiness of this post's title. so whatever. WHATEVER.)




Thursday, April 23, 2009

shaken and stirred.

a little while back, i went to a queer-Chicana/o-themed slam poetry performance with a couple of friends and consequently had my mind blown.

the night was filled with thought-provoking and emotion-invoking lyricism - the likes of which i'd never experienced in a live performance setting. it was small, raw, and empowering.

the featured performer was Yosimar Reyes, a gay, 20-year-old Chicano, award-winning, critically acclaimed slam poet who's on the rise in the slam sub-culture of LA. his work primarily focuses on the issues concerning the intersection of colored queerness in the context of the gang war torn streets of LA and the burgeoning culture of the LGBT Chicano around the world.

hearing and seeing him perform was an unbelievable experience. the fact that it happened in a small, indie, hidden art gallery down an obscure street not too far from Skid Row was something that undoubtedly added to the power of his words, his voice, and his message - not that they needed help.

here are just a couple of the ones he performed:

Acts of Resistance
This is not fucking
Not to be confused with lovemaking

This is resistance

Your hand pressed upon my chest
The way your lips feel on mine
This could never be anything but that

Some say we were not born
To be inter connected like this

And to think people have died for us to feel so complete
You on top of me
Saying
This feels right

And it does

Never for a moment did I think I would find myself in this predicament
Whispering your name
As if I was in deep prayer

So in the blessings I envision
I see your hands
Caressing the parts of my body
I have grown to be ashamed of

You make me feel me
In its totality

Cause every time we are inter connected like this
I feel stronger
Like somehow
Through this fucking, lovemaking call it whatever
I am Home

So I open the doors of my body to you
No longer afraid
Of the ghosts that haunt me

The ones that came inside and left me empty
Took the innocence I sold for acceptance

You bring warmth
After the heated bodies
I am surprised that you are still here

Holding my hand

Telling me that I should not feel dirty
Because rituals like this do not involve bloodshed

This is resistance
Because brown boys are not supposed to love like this
We are not supposed to fuck like this

We are supposed to take
Break into women's bodies
And leave them homeless

We are supposed to inflict power
On the bodies of those who have nothing but love to give

This is resistance
You and I
Whispering in the middle of the night
Laying side by side
Your arm as my pillow
Your stories is all I want to hear

This is not fucking
This is resistance
Brown boys are not supposed to love

We were simply born to fuck

Each other up

So now that we are getting ready to do this again
I want you to hold me but this time pretend
That as we are committing this act of resistance

We are regaining all that was taken from us
Our dignity, our pride, our love for one another

Do me with justice

My mother always told me that going against authority would kill me

And if it does there is no other way I want to die

But with you at my side

Both of us shouting

Fuck the Police!
This is Front Line Resistance!

Mi Amigo (translations at the bottom, and they're numbered)
Because you will never be mine and I will never be yours
I write these words
Because in my heart I hold nothing but respect and admiration
And in my lips hide kisses that will never touch your skin

I write in silence
Thinking of the force you have upon me
How your breath carries winds
Tus brazos, (1)
Tus ojos, (2)
Tus Labios
carry history (3)
Movements of our people
Como migrations
You have me thinking of home
And how I would love to build one with you
You by my side
Telling me what poems you like best

God must have made you with precision
because every time I look into your imperfections I see nothing but beauty
Eres como la luna en las noches que no puedo dormir (4)
Como las olas del mar que lloran (5)
Porque no las puedo oir...(6)
For you I would sing these words
Place them on an altar in honor of you
And offer my love and loyalty forever

Eres como el sol (7)
So powerful that I can't avoid you
Every Morning I awake to see you
And like the Sun and Moon
I must come to terms that we both work best whne we are
Separate
Y separados como nuestra tierra (8)
Te mando estas palabras (9)
Pa' que sepas (10)
Que siempre habra alguien que te quiere (11)
That I will always be here
And although I cannot love you like a lover
You will always be
Mi sol, (12)
Mi tierra, (13)
Mi amor, (14)
Mi Amigo. (15)

translations:
1. your arms
2. your eyes
3. your lips
4. you are like the moon on nights that i cannot sleep
5. like the waves of the sea that cry
6. because i cannot hear them
7. you are like the sun
8. and separated like our earth
9. i send you these words
10. so that you know
11. that there will always be someone who loves you
12. my sun
13. my earth
14. my love
15. my friend

needless to say, i bought the book. and took a poster. and friended him on facebook. and walked away feeling smarter, stronger, and inspired.


Wednesday, April 15, 2009

all's fair when love is war: obsessed (and other terribly cliche frustrations)

crushes are probably the worst idea since that time when Chamberlain said, "Oh, don't mind Hitler: he's a stand up chap."

seriously. if there's one thing i hate more than having an irrational crush, it's constantly being around said crush and therefore not being able to get over said crush.

and not knowing how to properly use colons and semi-colons. and dashes. i tend to be dash, colon, and semi-colon happy.

i can never control when a crush starts. or when it changes.

i could develop a crush on someone because of the most mundane event that, to a normal person, would go unnoticed (as it should).

she could give me a wave, or trip on herself, or make a nerdy Harry Potter reference, or just laugh in a particular way and i'd fall head over heels for her. even if i don't know her that well.

it's impossible to determine my type when my desperation not only blinds me to certain, previously abhorred traits, but also gives a lot of meaning to a lot of nonsense: nonsense that can and will probably go on to haunt every waking moment and every attempt at relaxation and meditation.

moreover, once a crush is realized (even after i acknowledge the fact that it's unfounded or unlikely), i spend the next ridiculously long period of my life pining away at something that had no real past, no real present, and definitely no real chance for a future.

why do i do this to myself? i can't think of any answer apart from, "Because I secretly like to torment myself."

seriously. sometimes i think i have this secret need to pine and suffer for the sake of unrequited love. somehow it's a sick way for me to get my jollies. as pathetic as it sounds, subconscious, irrational Vickie appears to find self-inflicted unrequited love a perfect avenue for uncomfortable feelings and helplessly awkward encounters.

and it blows.

especially when you get so stupidly drunk at a party that you confess to anyone and everyone (except the actual girl, of course) that you have a nerdy, silly crush on a certain someone...

...while you're wildly unattractive for a multitude of reasons, the least significant of which is your concession to Asian Glow (of course, the only Asian gene you inherited, of all the other totally awesome and promising Asian genes you could have gotten had your sisters not run the prodigal gene river dry).

as i once told my friend Kyle, who once tried to encourage me to, "Pounce on the bitch," i don't pounce, i pine.

sometimes i wonder what it would be like to have the cojones to be upfront about all these feelings, and then i remember that it would be impossible to bypass my inherent awkwardness and inability to ignore the turning of the stomach and tightening of the throat whenever someone i'm remotely attracted to randomly decides to roll around.

it's never until the awkward moment's passed that i think of a million ridiculously charming and clever things i could've said to win her heart, rather than the useless, socially challenged word vomit and dribble that tend to spew from my mouth when i'm in a panic.

and then, of course, i keep kicking myself (sometimes literally) and complain and make a whiney ass bitch of myself in front of my poor, absurdly loyal, compassionate, and generous friends who have no choice but to hear my annoying self-deprecating rants.

(i'm sorry, you guys.)

why can't i change? why can't i just grow up? why can't i grow a pair of ovaries and stroll right on up to her and say, "Hey, I like you a whole lot and think we should get coffee?"

coffee?

i don't know. according to my cousins, it's what grown-ups do when they like each other and want to talk.

am i even grown up enough for a relationship of sorts? or even just a date?

sometimes i get the nagging suspicion that i'm nothing but a 6 year old trapped in an ill conceived 20 year old body.

i would much prefer to be the other way around, but it's probably way too late for that kind of switch.

also, coffee at this point would be rendered useless by the sheer fact that i can't so much as greet her without saying or doing something that could land me in an institution.

i suppose the best place to begin would be to sit down and think about the things i tend to be attracted to, or could potentially be attracted to when in a somewhat sane state of mind.

Personality-wise:
1. she has to be willing to make bad jokes and potentially make something of a slight fool of herself in public. this is probably the biggest turn on of all time. i'm not sure why, but anyone who's comfortable enough with herself to not care about making a slight ass of herself is alright in my books.
2. she has to be able to laugh at my bad jokes, or at least tease me about them. or any of my jokes, for that matter, but as the majority of my jokes tend to fall on the nerdy side, this particular trait could be a major asset.
3. being outspoken but not pretentious or condescending (towards anyone) is a great trait to have. there's a difference between having an opinion and denouncing all other opinions.
4. that being said, intelligence isn't essential so much as passion is really important. if she's passionate about anything, and is willing to share it with me and educate me about it, then things'd be great.
5. she's unassuming about her looks and her personality. everything she does is natural to her and genuine and unshakeable.
6. unafraid of her nerdiness or awkwardness. she just is.

Looks-wise:
just FYI, i'm not particular about physical stuff.
1. she's comfortable with herself. no matter what. she might be humble, and a little awkward and shy and unassuming, but not wildly insecure or falsely self-deprecating.
2. warm eyes, as cheesy as this sounds. just something in her eyes when she's laughing or smiling or talking to me that grabs me. it's genuine and makes me feel safe somehow. (on a more superficial level, i tend to be drawn to lighter eyes, particularly grey or green.)
3. a nice, big, genuine, warm smile. again, cheesy. shoot me.
4. a great laugh. sappy, but true. it's the kind of laugh that i like to hear over and over again and which makes me wanna make her laugh over and over again.
5. as i tend to be more comfortable with being a Big Spoon, she'd probably be a little shorter or at least around my height. and this is completely superficial.
6. artsy and/or strong hands. i don't know, but i have a hand fetish.

Hobbies-wise:
1. i love to cuddle. i just do. and it's long overdue.
2. if she loves It's a Wonderful Life, or any Jimmy Stewart movie, i'll probably be into her.
3. if she has a nerdy obsession/interest (i.e. Harry Potter, Star Wars) - but not to the point where it's creepy - i'm in.
4. again, things that she's really passionate about. anything. whether it's artsy, or charitable, or purely indulgent, any form of passion for or deeper understanding of something is a huge plus.

granted, all that said, i know i'm in no position to be choosey and, by all means, i know that this "list" is completely malleable. i suppose outlining all of this and trying to put order to something that, for me, tends to be completely chaotic and non-sensical or unfounded is supposed to be therapeutic.

i guess some people see the romance in decidedly having feelings for someone for reasons they can't quite explain following a totally chance encounter filled with unorthodox (or completely, overanalyzed typical) minor occurrences - and i suppose some part of me likes to agree - but i can't help but wonder if feelings like that, or like the crush under which i'm currently pressed, are at all healthy or helpful.

after figuring out what i tend to like, the next step might be to find out what i'd do if i were to find someone who managed to fit (or, at least, someone i'm inexplicably drawn to):

1. i'd spend an unspecified amount of time pining and complaining to poor, innocent friends who want nothing more than to stuff a sock in my mouth and be done with it.
2. i'd pine some more.
3. [ideally, in a perfect world where the women i tend to be attracted to aren't way too good for me] during some chance encounter, i'd suddenly blurt out something irretractable like, "Hey! You! Coffee?" or, hopefully, something way more suave (i still have to work it out...)
4. i'd take her out to do something fun that either plays to one of or both of our passions or that neither of us has done before, before/after dinner or lunch or coffee. (too cliche?)
5. if, by some miracle, things go well and i haven't made a total ass of myself, i'd offer to take/walk her home. a walk which, again, if everything has somehow managed to go about without a hitch, might include some level of handholding or awkward flirting.
6. if i still haven't screwed up, i might hint at a second date.
7. after a series of successful dates, we might progress to cuddling.
8. and so on and so forth.

needless to say, i'm naive, inexperienced, and totally sappy. moreover, i've clearly received dating lessons from rom coms of the mid-20th century.

in all honesty, i really can't see myself going through with step #3 any time soon. if anything, i'd have to be the one approached.

what my friends and i have concluded is that i am incapable of flirting. not because i don't know how to respond, but because i don't even know what's going on until after it's all over.

the only way i might pick up on it would be if she came up to me and said something along the lines of, "Hey. I'm flirting with you."

and i probably still wouldn't believe her.

i lead a sad, sad existence.

i need help.

fast.

fin.

Lykke Li - "Tonight"


The Killers - "Dustland Fairytale"


Cat Stevens - "How Can I Tell You?"